The unmistakable sound of steel pan filled the CARIFESTA XV Village on Friday, August 29, as two of Barbados’ orchestras took the stage, thrilling a packed crowd with rhythm, energy, and creativity.
First up was the Lowrey Worrell Ensemble from the Barbados Community College. This youthful group wasted no time in setting the tone with a bold, modern set that blended genres in unexpected ways. Their repertoire moved effortlessly through R&B fusions, soca rhythms, and reggae grooves, giving the traditional steel pan a fresh, contemporary edge led by a young vocalist, adding another dynamic layer as the pans provided a shimmering backdrop.
The fusion of voice and steel created a lively atmosphere that had the audience nodding along.
The second steelpan orchestra, Notes of Praise, reminded patrons of the timeless beauty of tradition. Their performance leaned into the roots of steel pan, with arrangements that highlighted the instrument’s melodic warmth and the discipline of ensemble playing.
Their delivery was polished yet soulful, a reminder that steel pan is as much about precision as it is about joy. Where the BCC ensemble brought experimentation, Notes of Praise brought a sense of grounding, creating balance in the showcase.
The contrast between the two groups highlighted the versatility of the steel pan – from innovative crossover music to the more familiar cadences of the Caribbean soundscape. Together, they demonstrated how the instrument continues to evolve while honoring its deep cultural heritage.
The CARIFESTA Village audience responded with enthusiasm throughout, filling the space with appreciative applause. For many, it was a chance to see the next generation of pan players in action, carrying forward a tradition that is central to Caribbean musical identity. The youthfulness of both ensembles gave their performances an added spark, showing that steel pan in Barbados is not only alive but thriving. – Tracy Moore
